When Sony DSLR cameras were first announced, many photographers could not wait to see the potential that an electronics giant like Sony could deliver to the electronic camera market. Up until recently, Sony has spent almost all of it’s time creating entry level Alpha cameras, but that strategy is now beginning to change, and Sony now looks committed to expanding its range of mid range and pro level cameras. The A700 was the 1st step along this path, but the most recent release of the A500 and A550 go a ways to underline this commitment to expand the Alpha range.
When Sony released the A700 in September 2007, it was clear from the specification list that this was a camera that they wanted to be taken seriously. The A700 has a 12. 4 megapixel sensor and a Difficult metal body to Defend the delicate electronics on-board4 MP CMOS with a powerful metal case to make the camera durable. There are eleven AF points that also include some precision focus sensors that are designed to get peak performance in this area. To help keep out mud and water, gaskets were added round the buttons, and the camera can use either Sony Memory Stick cards or CF memory cards for storage. The camera includes a remote control, a high resolution LCD and Sony Super SteadyShot image stabilization. The DSLR-A700 shoots 5 FPS, but comes without Live View, hasn’t got a revolving LCD screen and can’t record HD films. An updated Alpha 700 series camera should be coming soon, and it’ll certainly address these issues. If you are looking out for a shop offering Sony Alpha A700 digicam fix you ought to be capable of finding a credible repair store with a couple quick Google searches.
With the A500 and A550, Sony has continued its tradition of releasing two versions of what’s pretty much the same camera. The A500 was released in Oct. ’09 and has a 12.3MP CMOS with ISO capabilities up to 12,800. The same tilting 2.7 ‘ LCD screen that’s on the 3 series Alphas, can be found on the A500, as is the twin sensor live view. But improvements mean that it is now capable of shooting up to four frames per second in live view mode, or 5 frames thru the view-finder. You also have face detection in the new live view, and the grin shutter feature developed for Cyber-shot cameras. A really fun new capability of the camera is built in HDR ( High Dynamic Range ) ability that mixes 3 pictures of different exposure settings into one image to produce spectacular effects.
The A550 sells for about $200 more than the Sony A500 camera, so what are the differences from one to the other? Well, the A550 has a much higher resolution CMOS, sloping 3-inch LCD screen. It also has a larger 14.2 megapixel sensor. The A550 has greater speed and will let you shoot at up to seven FPS if you lock the exposure ahead, and this feature alone may make avid sports photographers think it is worth the extra $200 over the A500. If you are looking out for a shop offering Sony DSLR digital camera repair you ought to be capable of finding a credible repair shop with a couple quick Google searches.
The excellent Sony A500 and Sony A550 are extremely able digicams that slot in nicely with the Sony Alpha range, but the lack of an HD movie mode may make some shoppers look at the mid-range models from Nikon or the near professional level Canon EOS range of cameras. If this isn’t something that’s vital to you, then you can rest assured that these are among the best digicams in the Sony DSLR camera range.
Our idea here is this helps throw some light on the different complicated models of Sony Alpha digicams! And if you have the necessity for Sony camera repair tips remember help is merely a quick search away.
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